First Nations Theatre

First Nations Theatre
La Mama has a strong history of proactively nurturing First Nations theatre, including our continuous collaborations with ILBIJERRI since the late ’90s. In 2012, Artistic Director Liz Jones was awarded an AO for her ‘promotion of Indigenous playwrights and actors, and to the community.’ This priority has been central to La Mama for decades and continues to strengthen.
Over the next four years, La Mama will continue this vision by increasing and meeting the capacity of its First Nations content within its organisational structure. La Mama will provide a platform to create, challenge and inspire Aboriginal theatre by Indigenous artists which gives voice to all language groups in Australia. Especially Victorian Indigenous language groups.
La Mama’s First Nations Producer (appointed in 2021), will design a First Nations Strategy in line with a Reconciliation Action Plan which will increase Indigenous opportunities, by providing community members the artistic and technical skills to participate in the development of the First Nations Theatre Program. This role will oversee and support the implementation of all Indigenous content within the structure of La Mama’s organisation, this ensures the capacity to meet this increased Indigenous need.
La Mama has the space to support Victorian Indigenous communities’ needs to share their story, songs and dances and will invest in the needs to increase Indigenous audience participation.
La Mama understands that Indigenous voices and stories need to come from an Indigenous standpoint perspective and acknowledges and respects the cultural process that Indigenous people need to go on to value their place in a society that has undervalued them.
La Mama understands that it is not our cultural responsibility to tell the Indigenous stories, songs and dances, instead recognising as an organisation that we have the capacity to provide the venue space and managerial skills to assist in building a strong, vibrant First Nations performing arts sector which can/is sustainable, through Indigenous programming and can/will support Indigenous artistic vision to support strong economic development for our Victoria Indigenous community members.
The Indigenous Strategy, created by First Nations Producer Glenn Shea, Elder/Respected Person and Community Person of the Year NAIDOC 2016/2020, Wathaurong Aboriginal Community/Coop, highlights the values that lead La Mama’s First Nations Theatre program. They are The Power of Language, Indigenous Protocols and Ways of Working, Self-determination, Respect and Indigenous Diversity.
Through all operations, La Mama is committed to the Aboriginal and Torres Strait Islander Cultural Safety Framework (DHHS). The key elements are: Knowledge and respect for self, Knowledge of and respect for Aboriginal people, A commitment to redesigning organisations and systems to reduce racism and discrimination. The key domains for action are: Creating a culturally safe workplace and organisation; Aboriginal self-determination, Leadership and accountability. La Mama’s Indigenous Theatre Program includes Festivals, Mentorships, Seasons and Blak Stage.
For more information please contact, First Nations Producer, Glenn Shea ([email protected]).
Meet our First Nations Producer Glenn Shea
First Nations Producer
Glenn Shea

First Nations Mentorships
La Mama’s mentorship program will attach First Nations mentees as stage managers, directors, designers, producers and makers with experienced artists (First Nations artists mentors will be prioritised) to develop skills through the journey of creating a production. These will be structured, supported roles.
For information, please contact our First Nations Producer, Glenn Shea, [email protected]

By Glenn Shea
A THOUSAND STORIES
There are a thousand stories that have been shared over a lifetime of history, voices we have heard from the poets and philosophers of our times. How have they known what to say? What did they want us to hear as we walk away into the shadows of the night? Our shadows collectively together standing under the variants of a moon displaying it’s presence like a prop from a set, cast against the backdrop of the story, song or dance they have/we have just heard. Our shadows provide equality like each breathe we take, like the sound of our voices in the breeze of the night as it softly touches our faces in the cold darkness of winter. Each sound resembling the knowledge of its keeper as they secretly share their moment of their remembrance of the story, they have just heard within the surrounds of the La Mama ghosts which haunt us as we sit there watching the players within their domain, expressing, feeling, and sharing their being as one, to one and all who come and witness the miracle of the unknown, the expectation of the ceremony taking place. A thousand ceremonies have taken place over a thousands of years, as we sit within being of our mother, applauding the language being spoken, applauding the protocols taking place and appreciating the family once more as La Mama rises from the ashes to perform the thousands of ceremonies that are yet to come. Know that the new poets and philosophers have something to share, know that the stories are from the old and the new, know that we are one, know that we are family, a community collective of voices standing in the sun ready to shine, ready to enter and exit in all the small parts we play to keep La Mama and it’s ghosts moving forward in every possible way.
By Glenn Shea, Indigenous Producer La Mama, Elder/Respected Person Wathaurong Aboriginal Community/Cooperative 2021