Understanding and recontextualising the stories we inherit
Maki Morita
月を見る夜 Moongazing is a play that revolves around the moon, and the memories and dreams it conjures. It draws inspiration from the Japanese folktale ‘Ubasute-yama’ and its Noh rendition, where a traveller climbs up a mountain to see the full moon, and there encounters the spirit of an old woman who was abandoned by her son. I’m interested in ideas around death, filial abandonment, loneliness, and spirituality that emerge in this story, and exploring their current relevance from a diasporic perspective. I also want to interrogate this act itself: how do we understand and recontextualise the stories we inherit when we are removed from them culturally and linguistically?
In writing a contemporary adaptation, it felt right to link the isolation of the characters with the paradox of the internet, where there is a desire to connect but an anxiety around it too, and an infinitude of self-help resources but a crisis in mental health. Where we can die in real life but live forever as a .jpeg file.

If there’s a central mood and feeling informing the work, it’s the strange beauty of Noh. Noh is a form of traditional Japanese theatre known for its slow, meditative pace and surreal qualities. It’s very strict and codified in how it is performed, and the traditions around it are fascinating. While 月を見る夜 Moongazing is by no means a work of Noh theatre, it is very much inspired by its concepts and aesthetics.
LA MAMA PRESENTS Antipodes Theatre Company's 月を見る夜 Moongazing
4-22 February 2026
Find out more & book 月を見る夜 Moongazing
